Astrid Williamson – Here Come The Vikings 

Here Comes The Vikings is the fourth full-length release by Scottish singer-songwriter Astrid WilliamsonWhere recent albums have seen her wading in the folk/torch-song pool, this release marks somewhat of a return to her rock roots.  Nonetheless, this cannot be considered a purely rock release.  The progression of songs threw me at times, the way it moves through a seemingly infinite amount of genres.  Although this show of diversity normally demonstrates a performer’s ability, on this occasion its merit is questionable. 

Album opener, Storm, is a Melissa Auf Der Maur tinged, dark tune which, one would assume, is setting the tone for what’s to come.  However, the next track, Sing The Body Electric, is surprisingly dominated by country/pop keyboard with a chorus that could be straight out of Motown.  This song though, is a standout.  Astrid’s deep, dirty vocals evoke visions of Joan Carter and Stevie Nicks and laid over such a sweet melody, it makes for an interesting contrast.  

Track four, How You Take My Breath Away, is another standout.  With a lyrical arrangement reminiscent of Portishead as well as the inclusion of some rather dramatic violin and piano, the song is beautifully executed. The same though, cannot be said for Slake which attempts to create the intensity of a PJ Harvey rocker but falls short with its lack of emotional rawness.  In saying this however, throughout the album there is an admirable attempt at experimentation and the creation of drama.  Eve especially, is quite an originally arranged track paying tribute to 40’s blues with its minimal drumming and piano, not to mention the tension building saxophone.   

Nonetheless, this release sees Astrid still struggling to find her musical niche.  While having the ability to span genres, her album has no unifying thread. There is nothing linking the tracks and making them uniquely her own.  Perhaps focusing on a particular direction would do this artist well and allow her to push the boundaries instead of spreading herself too thinly over too many different styles.   

Lee Hutchison